A wedding film should look like the day, not like an advert. We film by watching: hands shaking before the ceremony, a line half-said during the speeches, the silence right after the vows. The edit keeps that rhythm.
In Paris that means working fast and taking up no space: narrow staircases, inner courtyards, town halls with strict timings, rooms where the light changes every ten minutes. We shoot light, with no heavy setups, so nothing about your day slows down.
Sound is half the film. We record vows, speeches and atmosphere with discreet microphones, then build the edit around your voices instead of around an imposed soundtrack.
The image is treated like our photography: restrained colour, simple movement, no effect that will date. We never ask anyone to replay a moment for the camera.
We go through your timeline, the constraints of the venue and the moments that matter to you, then scout angles on arrival.
A deliberately small team, dressed plainly, moving little and never directing your guests. Photo and film coordinate so neither appears in the other's frame.
A short film you can watch in one sitting and, depending on the coverage chosen, a longer cut of the ceremony and speeches, delivered online in high definition.
Couples still hesitating about a film because they fear an intrusive crew or an overproduced result. Couples who want to hear voices again, not only see pictures.
Photography and film from the same team means one point of contact, one artistic direction and two stories that answer each other. The film can also be added to photography you have already booked.
Tell us the date, the venue and how you picture the day. We come back with a proposal built around it.